Repo Men ~ by Eric Garcia

Somewhere in the not-so-distant future, clothing stores no longer fill our shopping malls. No more Abercrombie; no more JC Penny's. Instead, we have synthetic organ dealers vying for our attention. But amidst the smiling crowds—the injured dying thinking, "there is some hope"—between the dancing "Harry the Heart" mascots, and neon, pulsating "A Lifetime Can Be Yours!" slogans, there is something sinister. Something dark.

Enter our main character: a nameless bio-repo man. Armed with ether, a taser, and a handful of scalpels, he reclaims the Credit Union's organs when their customers fall behind on their payments. The job is harsh, gory, and the general public regards him with a sort of morbid curiosity.

What attracted me to this book originally was the movie, Repo Men, recently come to theaters. I knew I wouldn't have time to go see the movie, so I elected instead to read the book. Frankly, I'm glad I did.

The prose is straight-forward. Told in the first-person, our nameless bio-repo man has a very strong personality. The flow of language and vocabulary is consistent; the imagery portrayed, vivid and tight. The characterization—at least of the main character—is steady and well developed.

The concept—of fake organs and power-hungry companies—is one that I think many people can fear. This is what I might call 'real' science-fiction. Light science-fiction. It's one of those concepts that might be frighteningly realistic, leaving people like you and me to hope it never comes to past. That being said, I wish that there had been more focus on the technology of the future society, rather than our brooding main character.

Repo Men as a story does drag a little bit. At times—and certainly upon finishing—I felt like I had finished a short story, rather than novel. It doesn't seem like there should be enough information to fill a book this size, and I wonder if this wouldn't have been better off as a novella. Nevertheless, I enjoyed the non-linear plot, and liked the book well enough to keep.

Repo Men is a dark book. It's full of things that we don't really want to think about; of concepts that leave us shuddering while we read. But it is also a realistic book. I could imagine myself as one of the future public, grimly fascinated by the work of our bio-repo man. A man who is world-weary, and aging under the burden of his past sins.

Eric Garcia has a very interesting book here, but I do wish it had been shorter—even tighter than it already is. Three and a half stars out of five.

Overclocked: Stories of the Future Present ~ By Cory Doctorow

I bought "Overclocked" mainly because I had read Cory Doctorow's "When Sysadmins Ruled the Earth" in another anthology. I thought that short story was brilliant, well-written and it stuck with me for a while.

Unfortunately, the other stories in this book just don't compare to "Sysadmins". I read the whole thing cover to cover, and I enjoyed it, but it didn't live up to what I'd hoped. Granted, I really liked the *concepts* behind the stories, but the stories themselves didn't seem quite finished. They weren't quite polished.

Like I said, I liked it enough to read all of the stories, I just wish there had been *more*.

The Child Thief by Brom

The Child Thief by Brom



I'll admit it: I often judge a book by it's cover. If it doesn't look cool, it probably won't interest me.

When I saw the cover for Brom's "The Child Thief", I skipped over it. Three times. I thought it was a vampire novel--and I'm not very fond of vampires. (Especially vampires who sparkle, but that's for another time).

And then I read the back of the book.

Wow.

The Child Thief is a spellbindingly dark re-imagining of Peter Pan. By using Peter's folk-and-myth roots, Brom creates a twisted playground that grabs you, and never lets go.

Neverland (though it's never actually called that) is dying; its magic is fading. Peter, a golden-eyed, red-haired boy, travels between his world and the world of men in order to find children to join in his devil clan. But he doesn't try to find just any children—he goes to the neglected, the abused, the molested, the troubled, and, as soon as they are willing, he leads them down the misty way to his island; away to join his group of 'devils'—his army-in-training. As their leader, he wants to amass a force and drive the magic-killing Flesh Eaters away.

I've always thought of Peter the way he was portrayed in The Child Thief: old on the inside, young on the outside; fierce, but loyal; playful, but a killer. He's a fearless, charismatic leader who is nothing more than a boy. But in Barrie's classic, you only see glimpses of his wild side.

Brom's prose is beautiful, and poetic, but not verbose. His descriptions are vivid and--for lack of a better word--melodic. His fight/violence scenes are compelling and realistic. At one point, about mid-way through the book, I actually felt my heartbeat speeding up. I can't remember the last time that happened while reading.

Illustrations come at the beginning of every chapter, and there are portraits of some of the main characters about halfway through the book. The artwork is worth the $20 price all on their own.

The Child Thief succesfully took the seemingly-innocent Peter Pan and turned him into the wicked, the wild, and the macabre. In a way, it's sort of like Orson Scott Card's 'Ender's Game'—another of my favorites. It shows what kids can do when you hand them a weapon and give them power.

You can find out more about The Child Thief, and check out some of the stunning artwork here: Brom Art

Comments are always nice, especially if I've convinced you to read this book. :D If you have a book you'd like to have reviewed on this blog, please contact me at JPWickwire@gmail.com.